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Pavel Haas Quartet
The Pavel Haas Quartet is a Czech string quartet which was founded in 2002.〔"Class of 2007" ''BBC Music Magazine'', 15:7 (March 2007), p. 29.〕 Their first album with the second quartets of Haas and Janáček won the 2007 ''Gramophone'' Award for Chamber music.〔(''Gramophone'', 85:1024 (Awards 2007), p. 77 ). Accessed 3 February 2010.〕 The ''Gramophone'' reviewer David Fanning described their playing as "streamlined but full-blooded".〔Fanning, David. "Whackiness, grotesque humour and a drum-kit: welcome to the world of Haas", (''Gramophone'', 84:1012 (November 2006), p. 87 ). Accessed 3 February 2010.〕 Their recording of the Dvořák String Quartets Op. 106 & 96 won the Gramophone Awards' most coveted "Recording of the Year" prize in 2011.〔''Gramophone'' 89:1076 (Awards 2011), pp. 53, 66. See also (online ); retrieved 29 January 2012.〕
== Formation ==
The first violinist Veronika Jarůšková was inspired to form the quartet after she attended concerts by the Škampa Quartet in which her husband Peter Jarůšek was the cellist. She recruited other players in Prague, some of whom had studied with the same teachers. Initially the group consisted of, besides Jarůšková, Kateřina Gemrotová (second violin), Pavel Nikl (violist), and Lukáš Polák (cellist). After its formation Polák decided to leave because of incompatibility, so the two quartets ended up exchanging cellists, with Jarůškova's husband joining the Haas Quartet and Polák joining the Škampa Quartet. Later the second violinist (Gemrotová) was replaced by Marie Fuxová, who in September 2008 was replaced by Eva Karová, the youngest member in the group at 25 years of age (in November 2009); the oldest was only 33.〔Stearns, David Patrick. "A Quartet for Our Time" ''Gramophone'', 87:1054 (February 2010), pp. 38–41.〕 In July 2012, Karová was herself replaced by Marek Zwiebel as second violinist.
The quartet is named after the Czech composer Pavel Haas (1899–1944), who was deported from Czechoslovakia in 1941, initially imprisoned at the work camp Terezin, and finally died at Auschwitz. Although aware of the significance of the circumstances of Haas's final years, the group did not intend to make a statement about the Holocaust, but rather selected the name primarily because of his importance to Czech music and in particular because of his three string quartets, all of which they have now recorded. Jarůšková has said: "We know personally the daughter of Pavel Haas. She doesn't like to speak about the time before the war. She showed us some papers and a book he wrote about her when she was born." Jarůšek added: "She also showed us the reviews. Every review of his Second Quartet was bad."〔
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